“But I don’t want to go among mad people,” Alice remarked.
“Oh, you can’t help that,” said the Cat: “we’re all mad here. I’m mad. You’re mad.”
“How do you know I’m mad?” said Alice.
“You must be,” said the Cat, or you wouldn’t have come here.”
Fashion’s recent twists and turns of logic have an uncanny familiarity. From tomboys and playboys to gypsies and panhandlers, the margins have become the middle. The stranger and the estranged, the maker and the made, the dreamer and that which was not dreamed. Fashion carries within it a unique ability to disseminate latent and nascent streams of consciousness. Individually and collectively, it curates memory. It brings together disparate generations and geographies, and sometimes indicates the far greater and far less perceptible transformations in the body politic.
Today’s images can be found in Vogue US Dec. 2013; Vogue Korea July 2013; L’Officiel Paris November 2013; Wonderland Magazine Winter 2013-2014; Vogue US July 2013; and Vogue Italia November 2012.